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| Reach
Out [I'll Be There] |
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| This
cover of the Holland/Dozier/Holland classic made famous by The
Four Tops was recorded by The League for possible use in their
live shows, though it was never actually performed live. |
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Vocals were never recorded for the song, but the instrumentation
itself is interesting enough; using percussion sounds reminiscent
of Almost Medieval, the mood is lighter in tone than
most of the League's own compositions, though it's odd that
the track fades out if it was planned for live use. Perhaps
this was intended to annoy rock 'purists' who objected to the
group's use of backing tapes... |
| Released
on The
Golden Hour Of The Future |
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Nothing is known about this track, which was committed to four-track
tape by the League, probably in 1979. |
| It
is possible that this song was later released with an alternate
title. This may even be an abbreviated title, but this is how
it is listed in notes accompanying the original master tape. |
| Unreleased,
at least under this title |
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| River
Deep, Mountain High |
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| A
cover of the Spector/Barry/Greenwich song made famous by Ike
& Tina Turner in 1966. The League's version unsurprisingly replaces
Phil Spector's original wall-of-sound production with an altogether
sparser electronic arrangement. |
| An
instrumental version of the first recording has appeared on
bootleg cassettes (this is likely to be a backing track used
for live performances of the song), but a second version also
exists, recorded at the 24-track Townhouse studio in London,
and this includes vocals. |
| Interviewed
about the B.E.F. collaboration with Tina Turner on 1982's
Music Of Quality & Distinction album (Virgin 2219), Martyn
remarked, "We did a version of River Deep, Mountain High
with the League, but it never got released, for obvious reasons.
We did have this perverse thought that we'd suddenly spring
this old backing track on Tina Turner and say, 'Well, you wouldn't
mind just knocking off a quick vocal on this, would you Tina?'"
(They eventually chose the Temptations' Ball Of Confusion
instead.) |
| Both versions
unreleased |
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Always
a live favourite, this cover of Gary Glitter's first hit very
nearly provided the League with their own first hit. It was
originally issued as a medley with Night Clubbing ,
but the latter track was edited from the recording for single
release. |
| The
single's limited success was enough to win the original line-up
of the group their first (and only) appearance on the British
music television institution, Top Of The Pops. When performed
live independently of Night Clubbing, the closing instrumental
section would often be slightly extended, allowing Martyn and
Ian to improvise a little. |
| Much
of the success of Gary Glitter's original single could be attributed
to the remix on the b-side, Rock 'N' Roll [Part 2], which
had been hastily produced when those involved realised their
budget would not allow the recording of a brand new song. The
first time Martyn and Ian recorded this song (shortly after
Adi left The Future), their arrangement was based on the Part
2 version. This demo version was much longer than the League's
later single version, lasting almost eight minutes, and the
only vocals used were occasional inserts of some pre-recorded
"hey"s. |
| Gary,
who in 1980 was on the verge of another comeback, apparently
appreciated the League's recording and often played it before
taking the stage at his live shows that year. Martyn and Ian
would later record a track with Gary himself in 1982, for the
B.E.F. album Music Of Quality And Distinction. Together,
they re-worked the tender Elvis Presley classic Suspicious
Minds in the trademark stomping Glitter style, complete
with raucous backing vocals (!). Who knows what Elvis would
have made of it all...? |
| Lyrics |
| Martyn
and Ian's version unreleased |
| The Human
League's version released on Holiday '80 (double
single and single),
Travelogue
(CD and Canadian/Australian LP only) |
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This track dates from the League's recording sessions for the
Reproduction
album. |
Although
listed on the box containing one of the album's master tapes,
it's not clear whether this is an unreleased track or simply
a song which was renamed and released on the album. Philip has
suggested this may have been a version of The Year Of The
Jet Packs ,
but is not sure. |
| Unreleased,
at least under this title |
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A song by Philip which was never finished, though a lyric sheet
is known to exist. |
| 'Sandor'
is possibly a reference to a character from the 1970s animated
sci-fi series, Star Blazers. |
| Unreleased
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This is one of the many titles for the song which became Marianne .
The song had this title on the planned setlist for the League's
automated set on their UK tour with Talking Heads (see The
Way It Was: Automatic Stations). |
| Released
as Marianne on Travelogue |
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